'I paint to think'
Chantal Joffe
The Independent Newspaper’s Sue
Hubbard wrote of British artist Chantal Joffe’s portraits
“Her women seem caught in a perpetual struggle both to keep their own counsel
while flirting with the desire to confront and seduce the viewer.”
Joffe is best known for her towering
paintings, some over 10 feet (3.3 meters) high, of women and children where the
power of the feminine shines through the mostly anonymous subjects. About which
she told The
Bloomberg Space’s Sacha Craddock “I
don’t want to tell a story; the paintings I like best become abstract at some
level. These are much more factual, much less illusory. No narrative creeps in.”
Occasionally Joffe will work
directly from life or from her own photographs, which about the latter she has
said "I’m a terrible
photographer [...] But in a way, the more the photo is crap, the better to
paint from." But mostly Joffe
uses images from fashion
spreads, ads, and friends’ family snapshots as her inspiration. “When you’re looking through a magazine,
what makes you stop and think is when you see an image and imagine the
narrative that is going on inside of it. Those are the ones I make into
paintings,” she explained to the Interview
Magazine.
Earlier in her
career Joffe also used pornographic imagery as a source material for her work.
About which his told the Guardian
Newspaper “I was
interested in the politics surrounding pornography, but also because I wanted
to paint nudes, and through pornography I had an endless supply of images of
naked women.”
Joffe’s later
works have moved her eye closer to home painting family and friends whether on
seaside holidays or self portraits with her daughter. As she says, “Since
having a child, my paintings are more personal. I wanted to convey some of that
physical intensity that comes with having a baby. The anxiety and emotions are
so visceral.”
Joffe’s current
exhibition Beside the Seaside is
currently on show at Hastings’ Jerwood Gallery until the 12th of
April. Exhibitions are planned for New York and London later in the year.
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