In 1995 three researchers from Keio
University, Shigeru
Watanabe, Junko Sakamoto and Masumi Wakita won the Ig Nobel Prize for Psychology for teaching pigeons to
discriminate between impressionist and cubist paintings using the works of Claude
Monet and Pablo Picasso. Interestingly, when the paintings were shown to the
birds upside down they could only identify the cubist works.
The Dutch/American artist Anton
van Dalen is a
pigeon fancier. Each day, weather permitting, he goes to the roof of the
building he has called home for the last 47 years and releases his birds from
their loft to fly in the sky over Manhattan’s East Village. What was once a
common sight has become increasingly rare as this Manhattan enclave has
suffered from the advance of gentrification.
The change wrought over the last
four decades to his beloved East Village along with his fascination with animal
intelligence of both the winged kind as well as the human kind has long
informed his work. Presented in a graphic reportage style it betrays the
influence of the New Yorker’s cartoonist and illustrator Saul
Steinberg for whom van Dalen was his main assistant for 30
years.
From the seedy streets with their drug-shooting galleries to the upscale
bars, fast food restaurants, and well-heeled women van Dalen’s work is
infused with the pessimism of the realist but soften with a dry wit as he
explores his character’s ability to survive in an environment of restricted
behavior. Over time van Dalen’s palette has shift from the monochromatic style
of his earlier works to what he calls “the colors of
our time,” a mimicking of the light from
flat screens, cell phones and computers.
An exhibition of van Dalen’s latest works will open at
New York’s PPOW
Gallery on the 13 of February and be on show until the 14th of
March.
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