Liz Nielson became
an artist to overcome the personal challenge the discipline of Art presented to
her. As she told the LVL
3 gallery blog “It began when I was 20 years
old, about to graduate from college with my BA in philosophy and Spanish. I
decided to take an art class for an easy A. I got a C. And it was
only the second C that I’d ever gotten. I became interested in art
because I wasn’t good at it.”
Photography was Nielson’s chosen
medium of expression and the abstract her subject matter. Although when she
moved from Chicago to New York in 2011 Nielson flirted with street photography,
but it was the abstract aspects of the environment she was moving through rather
than the interaction happening thereon, that is the usual fodder of the genre, that
caught her eye. As she explained to LVL 3 “I spend a lot of time biking and
walking around staring at the ground, looking at gum, paint marks, oil stains
and cracks.”
Since then Nielson has
returned to the studio to work on color-field inspired abstractions that she refers
to as “compositions.” With her camera left in the corner Nielson works
with an enlarger and cut out shapes of transparent stage lighting gels that she
exposes with red light. The luminous photograms she produces are the result of a
counter intuitive process where colors are reversed and chance plays it part
over riding the precision and science employed in their production.
Her current exhibition Liz Nielson: Magic lantern about which
the publicity material states “Her evocative compositions bring to mind
mid-century abstraction, Victorian magic lantern shows and centuries-old
stained galss windows,” is on show at New York’s Laurence Miller
Gallery until the 28th of February.
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