The world is a book, and those who do not travel read only
a page.
Saint
Augustine
Anders Kjellesvik likes to travel,
in his 35 years he has read more pages of the world than most us will do
in a life time. Born on the Norwegian island of Stord, with a Viking heritage and
influenced by the boat builders and fishermen of today it is little wonder that
wanderlust is coded into his DNA.
But unlike his forebears, who
returned from their voyages with slaves and bling, Kjellesvik returns from his journeys
with images that become the subject matter for his paintings, prints and sculptures.
The works that Kjellesvik creates are the echoes of his impressions and
memories that teeter between realism and abstraction. As the Nordic
Artists’ Centre’s Marie Nurland wrote for
the 2012 Bristol biennale “They are artworks that seem sparse, but at
the same time saturated with beauty and a complex layering of possible
meanings. The works inspire a desire to play with the indefinable.”
Kjellesvik is also one half
of the social art project aiPotu (“utopia”
spelled backwards). With the other half of the duo, the Norwegian artist
Andreas Siqueland, they have travel from Australia to Iceland as part of
their ongoing Island Tour, and from Paris to Helsinki
for the earlier Tour of Europe. At
each stop they created a site specific work that explored the relationships
between art and utopia within the local context.
Kjellesvik’s current exhibition
of paintings brings together excerpts from his travels, his encounters with
people, and their associated visual impressions. Über Ende und Anfang (About the end and the beginning) is on show at
Berlin’s Galerie Michael
Janssen until the 14th of March.
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