“I didn’t become a photographer to become an artist.
I became a photographer to talk about things that interest me.”
Simon Norfolk
I became a photographer to talk about things that interest me.”
Simon Norfolk
The British photographer Simon Norfolk describes himself as a
landscape photographer who specializes in battlefields and as the future of warfare
increasingly enters the realm of the cyberspace the challenge of what to point
his camera at becomes problematic.
As he told FK
Magazine’s Arnis Balčus “The invisible warfare, that’s where the real money is being spent. They
want to read your emails, turn on a camera on your computer, take a photo with
your mobile phone. That’s the warfare of the future. How do you photograph that
all? It is a real challenge for me.”
It was an earlier challenge that
led Norfolk to become a photographer. About which he has said “I went to the
university to be an academic. I thought of doctoral thesis – if you go and see
them in a library, sometimes you take those books off the shelve and see that
literally no one has ever read them since placing on the shelve. [The] idea of
working on something for four years that no one will read seemed too depressing
for me. I thought – how can you make it more interesting to people? One of my
lecturers said I should look at the books her husband has made. I looked at a
couple of books and half was photography and half text. They were books where
arguments were well made, really great photography and I read all of them… I
asked my tutor’s husband where he went to college and he said “Newport”… [The]
college in Newport had a very good reputation, very dry, photography and
photojournalism, nothing fancy, run by Magnum photographer David Hurn.”
After a decade of doing
freelance photography, mostly for magazines, Norfolk abandoned general photojournalism
to concentrate on the landscape of the battlefield.
As he told BLDGBLOG “I didn't get fed up with the subjects of photojournalism – I got fed up with the clichés of photojournalism, with its inability to talk
about anything complicated… So, I started off in Afghanistan photographing
literal battlefields… [But] I wanted to
stretch that idea of what a battleground could be. What is a landscape – a
surface, an environment, a space – created by warfare?”
Now with seven books to his
credit Norfolk stands with a foot in both the art world and world of
photojournalism.
And as he wrote for his
2006/2007 touring exhibition Et in Arcadia ego "These photographs
form chapters in a larger project attempting to understand how war, and the
need to fight war, has formed our world: how so many of the spaces we occupy;
the technologies we use; and the ways we understand ourselves, are created by
military conflict."
Norfolk’s latest exhibition Time Taken is on show at London’s Michael
Hoppen Gallery until the 8th of September.
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