“I have changed the verb “to paint”:
I don’t paint a painting, I make a painting.”
Jack Whitten
I don’t paint a painting, I make a painting.”
Jack Whitten
Growing up in Alabama during the
early years of the Civil Rights movement followed by the wars and social
turmoil of the latter half of the 20th Century and the start of the
21st, which has informed a lot of his work, American abstract artist
Jack Whitten believes
the future of the world lies in the hands of artists.
As he told Art
in America’s Jessica Dawson “I see art as the only hope we have left. I don't see it in
religion or politics. If we as artists can't take advantage of it, who can?”
At the age of 19 Whitten abandoned
the South to further his arts education at New York’s Cooper Union.
As he told Robert Storr in a Brooklyn Rail
interview “I just couldn’t go on. I believed in Dr. King’s philosophies;
but in reality I found out that I didn’t have it in me to continue in this
direction. I found it too difficult to turn the other cheek.”
Influenced
by the abstract expressionists with surrealist overtones, “I was influenced by Gorky as well as Pollock,” Whitten
created works around the issues of the day - Dr. Martin Luther King, Jr., the Civil Rights Movement and
the Vietnam War.
Whilst topical issues remained as his subject
matter Whitten developed his abstract painting techniques to the point that his
paintings became sculptural collages by turning the paint into mosaic like
tiles that he applies to the canvas.
The New
York Times’ Holland Cotter wrote about Whitten in 2013 “With a career grazing the 50-year
mark, Jack Whitten is still making work that looks like no one else’s, which is
saying something, given the flood of abstract painting in New York in the past
few years. He invented new forms of abstraction and standards of beauty to
match them. Even more to his credit, he’s still restless enough to make every
picture a complex one-off formal event. And he’s stayed invested enough in art
as an intimate medium to make those events personal.”
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