-
The school bully has the little kid by the throat slowly squeezing the life out of him. The victim kicks the bully in the shins in protest. What’s the bully to do? Just tighten his grip and bash the little kids head against the wall.
The yard monitor barely pauses in the bashing together of the heads of two other 3rd graders to nod his approval.
Ah, 2008 is ending in fine style.
Tuesday, December 30, 2008
Sunday, December 28, 2008
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Friday, December 26, 2008
Looking Back
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It's that time of year when a retrospective of what has been clogs both the media and the blog sphere. And in this grand tradition I too can "Baa" with my favourite 3 pics for the year.
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At an Exhibition (A) © Henry Bateman
I attended a lot of exhibitions this year both for enjoyment and reviewing
(it's great when you enjoy your job)
and for me this piece sums up the reviewer dilemma. The exhibition was by Australian artist Tony Twigg at Galleria Duemila.
The Golden Gate © Pep Ventosa
Not sure if this work was made in 2008, but it is the year that I discovered it. The Turneresque feel of the piece is lovely and being a great Turner fan it just had to be in this selection.
Remembering Batangas © Henry Bateman
These pieces were actually made in 2007 but it was this was the year I found they worked as a triptych.
It's that time of year when a retrospective of what has been clogs both the media and the blog sphere. And in this grand tradition I too can "Baa" with my favourite 3 pics for the year.
.jpg)
At an Exhibition (A) © Henry BatemanI attended a lot of exhibitions this year both for enjoyment and reviewing
(it's great when you enjoy your job)
and for me this piece sums up the reviewer dilemma. The exhibition was by Australian artist Tony Twigg at Galleria Duemila.
The Golden Gate © Pep VentosaNot sure if this work was made in 2008, but it is the year that I discovered it. The Turneresque feel of the piece is lovely and being a great Turner fan it just had to be in this selection.
Remembering Batangas © Henry BatemanThese pieces were actually made in 2007 but it was this was the year I found they worked as a triptych.
Wednesday, December 24, 2008
Tuesday, December 23, 2008
A Photographic Master
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Tim Connor at his self named blog has posted an essay about and a selection of William Eggleston photographs. He was inspired by the latest exhibition of Eggleston’s work, “Democratic Camera” at the Whitney Museum.
From "William Eggleston's Guide," All rights reserved
Rather than re-invent the wheel I’ll just point you over to Tim’s site, he has done all the hard work and his selection of images contains several of my favourites.
Tim Connor at his self named blog has posted an essay about and a selection of William Eggleston photographs. He was inspired by the latest exhibition of Eggleston’s work, “Democratic Camera” at the Whitney Museum.
From "William Eggleston's Guide," All rights reservedSaturday, December 20, 2008
Well Played Lavazza
I have mentioned before how photography blogs resemble an 8 year olds soccer match. And we all know that the Italians are no slouches when it comes to getting the round ball into the net.
Italian Espresso Company, Lavazza, has produced a pretty cheesy calendar for 2009 utilizing pics taken by high power photographer, Annie Leibovitz. Well, some of the more astute (?) photography bloggers have labeled this pic by Leibovitz if not “the worst photograph ever made” a very close runner up.
Mike Johnston (The Online Photographer) started the ball rolling, Jorg Colberg (Conscientious) pushed it forward and Daryl Lang (PDN Pulse) set up the own goal.
Come on guys it is an advertisement not a photograph. (Yes, there is a difference and if you haven’t figured that one out yet ………….)
As for Lavazza and their internet advertising, what can one say?
Mission Accomplished.
Italian Espresso Company, Lavazza, has produced a pretty cheesy calendar for 2009 utilizing pics taken by high power photographer, Annie Leibovitz. Well, some of the more astute (?) photography bloggers have labeled this pic by Leibovitz if not “the worst photograph ever made” a very close runner up.
Mike Johnston (The Online Photographer) started the ball rolling, Jorg Colberg (Conscientious) pushed it forward and Daryl Lang (PDN Pulse) set up the own goal.
Come on guys it is an advertisement not a photograph. (Yes, there is a difference and if you haven’t figured that one out yet ………….)
As for Lavazza and their internet advertising, what can one say?
Mission Accomplished.
Friday, December 19, 2008
Meeting the Challenge
First published in The Expat Travel & Lifstyle Magazine (November 2008)
American Artist Ann Wilson views Cos zicarelli's work at Finale Art File
© Henry Bateman 2008
The Gallery Entrance © Henry Bateman 2008
It's a far cry from their humble beginnings of a wall in a friend’s boutique a quarter of a century ago and stands as a testament to Ms Sarenas “ruled by my heart” approach to art appreciation. With three exhibition spaces, a suite of offices and a back room to die for, this 350 square meters are a gallerist’s dream come true. “We can accommodate works of scale, suites of paintings and new artistic media with ease,” enthuses Exhibition Manager Sylvia Gascon.
Three years in the planning this move to a larger venue is Finale’s response to the changes in the Art Market. The highly competitive nature of this market with its dynamic cut and thrust of attracting the discretionary purchase has pressed commercial galleries to improve their game. With high profile artist’s like Damien Hirst ignoring galleries and taking their new work directly to the public via auction houses being the latest variation. The ongoing presence of artists of all stripes displaying their wares on the internet has taken a firm hold over the past few years. Along with internet galleries who, unrestrained by physical space, can display hundreds of thousands of art works a mouse click away from their buyers.
Taking a leaf out of the museum hand book, Sarenas and Gascon have enhanced their ability to present exhibitions that can survive critical evaluation. Although a mainstay of their operations its emphasis has become paramount, exhibitions must be interesting enough to generate a dedicated audience. An audience prepared to seek out the new, an audience that trusts the gallery’s expertise.
Exhibition Opening at Finale Art File © Henry Bateman 2008
The changing nature of Megamall’s Art Walk from one of dedicated galleries presenting fresh and challenging exhibitions to a one stop shop showing an increasing amount of art décor was also instrumental in Finale’s move to warehouse 17. Situated in the La Fuerza Compound in Pasong Tamo, the passing parade is greatly reduced but the increased exhibition space to present innovative exhibitions more than compensates. An improved back room in the same building as the gallery is an additional advantage.
It is a truism of the art market that a gallery is only as successful as its back room. It is here that the gallerist becomes the dealer with a collection of works from past exhibitions and a selection of art that has re-entered the market. For a variety of reasons works of art come up for resale, the most common being referred to as the three D’s (death, divorce and debt). Known as the secondary market it is the bread and butter of the art market, based on commission sales, loved art works find new homes in privately negotiated deals.
But Sarenas and Gascon are more than dealers as they revel in the challenge of creating a market for their artists. Finding artists whose work speaks to them, creating that special bond that words cannot express; creating a vehicle that can show this to the world is their meat and potatoes. And this new gallery is their next step in that process.
The Tall Gallery © Henry Bateman 2008
Designed “in house” the Tall Gallery is 200 square meters of unpretentious exhibition space that reflects its origins. Overhead, the bond store mercury vapor lights scattered amongst the aircon outlets have been augmented with a strip of fluorescent tubes. The stars of the show are the pictures on the walls and the sculptures on the floor with each being given space enough to walk their talk. On the mezzanine level above the offices and back room are two smaller exhibition spaces, the Upstairs Gallery and the Video Room.
The challenge of filling all these spaces, although daunting, has been met with an exhibition program that stretches out to December of 2009, a mix of solo and group exhibitions with some being curated by guest curators. Like the first three part Inaugural Exhibition in the Tall Gallery which sees the works from Finale’s back room selected by artist/curator Nilo Ilarde.
Finale Art Files executive director, Vita Sarenas © Henry Bateman 2008
Warehouse 17 is Finale’s fourth move in its 25 year history and Vita Sarenas is sanguine about its timing in the midst of the current financial turmoil. Having survived the political and financial upheavals at the end of the Marcos years, the Dot Com Bubble bust and the Asian Crisis she is taking the current confusion in her stride. “Having an art work on the wall is often a better investment than shares and is always more interesting to look at” Sarenas states. And along with her exhibition manager’s expertise, she continues to back her intuition in finding and presenting art to excite Manila’s art connoisseurs.
American Artist Ann Wilson views Cos zicarelli's work at Finale Art File© Henry Bateman 2008
“I can only sell what I like”
states Finale Art File’s Executive Director, Vita Sarenas in the viewing room of the newly opened warehouse sized gallery that is Finale’s new home. A converted brandy bond store, this gallery must be one of, if not the largest commercial art galleries in Metro Manila. 
The Gallery Entrance © Henry Bateman 2008It's a far cry from their humble beginnings of a wall in a friend’s boutique a quarter of a century ago and stands as a testament to Ms Sarenas “ruled by my heart” approach to art appreciation. With three exhibition spaces, a suite of offices and a back room to die for, this 350 square meters are a gallerist’s dream come true. “We can accommodate works of scale, suites of paintings and new artistic media with ease,” enthuses Exhibition Manager Sylvia Gascon.
Three years in the planning this move to a larger venue is Finale’s response to the changes in the Art Market. The highly competitive nature of this market with its dynamic cut and thrust of attracting the discretionary purchase has pressed commercial galleries to improve their game. With high profile artist’s like Damien Hirst ignoring galleries and taking their new work directly to the public via auction houses being the latest variation. The ongoing presence of artists of all stripes displaying their wares on the internet has taken a firm hold over the past few years. Along with internet galleries who, unrestrained by physical space, can display hundreds of thousands of art works a mouse click away from their buyers.
Taking a leaf out of the museum hand book, Sarenas and Gascon have enhanced their ability to present exhibitions that can survive critical evaluation. Although a mainstay of their operations its emphasis has become paramount, exhibitions must be interesting enough to generate a dedicated audience. An audience prepared to seek out the new, an audience that trusts the gallery’s expertise.
Exhibition Opening at Finale Art File © Henry Bateman 2008The changing nature of Megamall’s Art Walk from one of dedicated galleries presenting fresh and challenging exhibitions to a one stop shop showing an increasing amount of art décor was also instrumental in Finale’s move to warehouse 17. Situated in the La Fuerza Compound in Pasong Tamo, the passing parade is greatly reduced but the increased exhibition space to present innovative exhibitions more than compensates. An improved back room in the same building as the gallery is an additional advantage.
It is a truism of the art market that a gallery is only as successful as its back room. It is here that the gallerist becomes the dealer with a collection of works from past exhibitions and a selection of art that has re-entered the market. For a variety of reasons works of art come up for resale, the most common being referred to as the three D’s (death, divorce and debt). Known as the secondary market it is the bread and butter of the art market, based on commission sales, loved art works find new homes in privately negotiated deals.
But Sarenas and Gascon are more than dealers as they revel in the challenge of creating a market for their artists. Finding artists whose work speaks to them, creating that special bond that words cannot express; creating a vehicle that can show this to the world is their meat and potatoes. And this new gallery is their next step in that process.
The Tall Gallery © Henry Bateman 2008Designed “in house” the Tall Gallery is 200 square meters of unpretentious exhibition space that reflects its origins. Overhead, the bond store mercury vapor lights scattered amongst the aircon outlets have been augmented with a strip of fluorescent tubes. The stars of the show are the pictures on the walls and the sculptures on the floor with each being given space enough to walk their talk. On the mezzanine level above the offices and back room are two smaller exhibition spaces, the Upstairs Gallery and the Video Room.
The challenge of filling all these spaces, although daunting, has been met with an exhibition program that stretches out to December of 2009, a mix of solo and group exhibitions with some being curated by guest curators. Like the first three part Inaugural Exhibition in the Tall Gallery which sees the works from Finale’s back room selected by artist/curator Nilo Ilarde.
Finale Art Files executive director, Vita Sarenas © Henry Bateman 2008Warehouse 17 is Finale’s fourth move in its 25 year history and Vita Sarenas is sanguine about its timing in the midst of the current financial turmoil. Having survived the political and financial upheavals at the end of the Marcos years, the Dot Com Bubble bust and the Asian Crisis she is taking the current confusion in her stride. “Having an art work on the wall is often a better investment than shares and is always more interesting to look at” Sarenas states. And along with her exhibition manager’s expertise, she continues to back her intuition in finding and presenting art to excite Manila’s art connoisseurs.
Thursday, December 18, 2008
NSFW Street Protest
Paris, the one in France, life models, yep the one’s who pose in the buff for artists, took to the streets in their work clothes to protest a ban on tips.
Life classes at the city’s beaux arts schools have banned the passing round of le cornet – a rolled up cone of paper which is employed at the end of the class to enable participants to show their appreciation for the model in cold hard cash. The classes are organized by the city which makes the models public servants and under French law it is illegal to tip public servants.
After braving the elements in the all together they put their clothes back on to talk with the city’s deputy mayor, Christophe Girard. Who gave them a sympathetic hearing, having in his youth plied their trade.
See more here.
Life classes at the city’s beaux arts schools have banned the passing round of le cornet – a rolled up cone of paper which is employed at the end of the class to enable participants to show their appreciation for the model in cold hard cash. The classes are organized by the city which makes the models public servants and under French law it is illegal to tip public servants.
After braving the elements in the all together they put their clothes back on to talk with the city’s deputy mayor, Christophe Girard. Who gave them a sympathetic hearing, having in his youth plied their trade.
See more here.
Wednesday, December 17, 2008
Chick Flicks can Flick Fidelity
You've Got Mail,
Maid In Manhattan,
The Wedding Planner
Serendipity
Runaway Bride
Notting Hill and
While You Were Sleeping.
Maid In Manhattan,
The Wedding Planner
Serendipity
Runaway Bride
Notting Hill and
While You Were Sleeping.
Are amongst the culprits Scottish researchers have found that place unrealistic expectations on real world relationships. Psychologists at the family and personal relationships laboratory at Edinburgh’s Heriot Watt University blames them along with another 34 Chick flick hits for promoting unrealistic expectations when it comes to love.
"The problem is that while most of us know that the idea of a perfect relationship is unrealistic, some of us are still more influenced by media portrayals than we realize," says Dr Bjarne Holmes.
"Films do capture the excitement of new relationships but they also wrongly suggest that trust and committed love exist from the moment people meet, whereas these are qualities that normally take years to develop," said researcher Kimberly Johnson.
See more at the BBC and at the researchers site.
This research has been expanded world wide with an online survey which, if you’re into surveys, can be found here.
Saturday, December 13, 2008
Fragmented & Collective Photographs
Spanish born artist/photographer, Pep Ventosa, now lives in San Francisco Bay Area and his latest works tend to concentrate around those environs, although Europe features in his earlier photographs. His unique photographs can be seen at his web site where he presents two bodies of work.
Broadway Tunnel, San Francisco © Pep Ventosa
The Golden Gate © Pep Ventosa
The Fragmented Photographic Works
Broadway Tunnel, San Francisco © Pep Ventosa
The Collective Snapshot
The Golden Gate © Pep Ventosa
Friday, December 12, 2008
Confession of a War Dog
Aussi war correspondent, Michael Ware, shares his truth of reporting from Iraq for the last seven years. First for Time and then for CNN, read all about it at Men’s Journal.
“When you get to the point where you come home from a bombing,
realize what’s on the soles of your shoes,
and can wipe it off without a second thought
— it takes its toll.”
realize what’s on the soles of your shoes,
and can wipe it off without a second thought
— it takes its toll.”
Thursday, December 11, 2008
Cruel & Unusual Punishment
Your garage band is blowing the decibel level off the planet? Your stereo can be heard 3 blocks away?
Do this in Fort Lupton, Colorado, cause the neighbors to bitch and you’re hauled up before Justice Paul Sacco at least your liberty and wallet are safe. The good judge will sentence you to an hour of listening to Barry Manilow in full voice.
According to Sacco it’s working, recidivism for this heinous public nuisance is on the wane. What it is doing to teen and young adult minds is another thing.
Do this in Fort Lupton, Colorado, cause the neighbors to bitch and you’re hauled up before Justice Paul Sacco at least your liberty and wallet are safe. The good judge will sentence you to an hour of listening to Barry Manilow in full voice.
According to Sacco it’s working, recidivism for this heinous public nuisance is on the wane. What it is doing to teen and young adult minds is another thing.
Monday, December 08, 2008
Another New Work
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Photography Gallery
This was made from a pic captured at The Silverlens Gallery. You can read my thoughts about their latest exhibitions below.
Photography GalleryThis was made from a pic captured at The Silverlens Gallery. You can read my thoughts about their latest exhibitions below.
Sunday, December 07, 2008
An Expanding Question
Over the years the Silverlens Foundation and Gallery has built an enviable reputation with its photographic exhibitions, with one of its distinguishing features being the gallery space itself. Adjusting the traditional white cube concept of gallery spaces, a dynamic space was designed to fit within the irregular building that Silverlens calls home. It is a space which successfully lends itself to dramatic presentations often employed to the advantage of the exhibited work.
A couple of months ago The Silverlens Foundation expanded its operations from photographic acquisition and exhibition to incorporate contemporary painting, drawing and sculpture. Acquiring the building next door two new exhibition spaces were created. The two new spaces, SLab and 20SQUARE, are connected to the main gallery by an open air walkway over the compound car park. The SLab gallery abandons the white walls and with its black walls and ceiling makes for an intimate Aladdin’s Cave that belies its 120 square meters. The 20SQUARE gallery is small, very small, walk in wardrobes are known to be bigger.
Currently on show at these spaces are; in the main gallery “The 2008 Grantees Exhibition”, in the SLab gallery “Bedtime Stories” and in the 20SQUARE gallery “New Collages” by Gary-Ross Pastrana.
The Grantees exhibition features the work of Conrado Velasco with “Pixel Towers”, Lena Cobangbang with her“Overland series” and Gina Osterloh’s “Shooting Blanks”. All these photographs document other works made by the artists and as such question the relevance of the genre. For this exhibition is all about photography as reportage; PR stills from past events.
Across the bridge is Bea Valdes’ “Bedtime Stories”, a selection of cuddly and not so cuddly, uniquely embroidered, soft toys. From the Bambi inspired ‘After the Fawn’ to the esoteric gender renderings of the two ‘Ever Afters’ and via ‘The Tower’ it is a burrow into “Alice’s Adventures in Wonderland”.
Growing out of a dissatisfaction with an art school project is Pastrana’s “New Collages”in the 20SQUARE gallery. A series of collaged from contemporary media 6x4 index cards presented in grid formats ranging from 16 cards to 36 cards. Individual cards are often interesting abstracts but the lack of continuity in their presentation recalls their inspiration.
Viewing the 2008 Grantees exhibition with the latest expansion in mind the question of photographic validity as an art form comes to the fore. Is photography destined to remain the poor relation in the visual arts relegated to documenting others achievements?
A couple of months ago The Silverlens Foundation expanded its operations from photographic acquisition and exhibition to incorporate contemporary painting, drawing and sculpture. Acquiring the building next door two new exhibition spaces were created. The two new spaces, SLab and 20SQUARE, are connected to the main gallery by an open air walkway over the compound car park. The SLab gallery abandons the white walls and with its black walls and ceiling makes for an intimate Aladdin’s Cave that belies its 120 square meters. The 20SQUARE gallery is small, very small, walk in wardrobes are known to be bigger.
Currently on show at these spaces are; in the main gallery “The 2008 Grantees Exhibition”, in the SLab gallery “Bedtime Stories” and in the 20SQUARE gallery “New Collages” by Gary-Ross Pastrana.
The Grantees exhibition features the work of Conrado Velasco with “Pixel Towers”, Lena Cobangbang with her“Overland series” and Gina Osterloh’s “Shooting Blanks”. All these photographs document other works made by the artists and as such question the relevance of the genre. For this exhibition is all about photography as reportage; PR stills from past events.
Across the bridge is Bea Valdes’ “Bedtime Stories”, a selection of cuddly and not so cuddly, uniquely embroidered, soft toys. From the Bambi inspired ‘After the Fawn’ to the esoteric gender renderings of the two ‘Ever Afters’ and via ‘The Tower’ it is a burrow into “Alice’s Adventures in Wonderland”.
Growing out of a dissatisfaction with an art school project is Pastrana’s “New Collages”in the 20SQUARE gallery. A series of collaged from contemporary media 6x4 index cards presented in grid formats ranging from 16 cards to 36 cards. Individual cards are often interesting abstracts but the lack of continuity in their presentation recalls their inspiration.
Viewing the 2008 Grantees exhibition with the latest expansion in mind the question of photographic validity as an art form comes to the fore. Is photography destined to remain the poor relation in the visual arts relegated to documenting others achievements?
Tuesday, December 02, 2008
The Great Filipino Easter Photo Tour
Religious Processions,
folk art temples,
majestic cityscapes,
kaleidoscopic water ways
and
Asian markets
are amongst the photo opportunities awaiting participants of
folk art temples,
majestic cityscapes,
kaleidoscopic water ways
and
Asian markets
are amongst the photo opportunities awaiting participants of
The Great Filipino Easter Photo Tour.
Australian photographer Henry Bateman guides you round
the streets of Manila to unique photo locations
he has discovered in his 3 years of living in and
photographing this teeming metropolis.
Over 6 days and nights (April 7 to 12 2009)
he will present to your camera
Australian photographer Henry Bateman guides you round
the streets of Manila to unique photo locations
he has discovered in his 3 years of living in and
photographing this teeming metropolis.
Over 6 days and nights (April 7 to 12 2009)
he will present to your camera
2 religious processions,
40 folk art temples
40 folk art temples
and a salubong,
a visual feast that is the Filipino celebration of Holy Weekand the inspiration for
“Kalbaryo – A Shrine to Celebrate Easter”.
Added to this is
a 3 hour air conditioned
scenic rail tour of Metro Manila,
a 2 hour river cruise through the heart of Manila,
a 3 hour exploration of the sights and smells of a traditional Filipino market,
the unique Filipino experience of Malling
and an unlimited exposure to cityscape views 
of Makati City, Rockwell, Mandaluong City and the City of Manilajust 2 minutes from your hotel room.
A thousand captures await you in this once in a life time photo shoot
in the heart of the Philippines
for only $AU 925.oo, $US 610.oo or $ 455.ooEuros per person
plus airfares.
(non-photographic spouses will also enjoy this exploration of the Philippine Capital)
The Great Filipino Easter Photo Tour
is limited to 10 people so to avoid disappointment
Book your place Now.
For more information and booking details contact Henry Bateman at bateman(dot)henry(at)gmail(dot)com.
in the heart of the Philippines
for only $AU 925.oo, $US 610.oo or $ 455.ooEuros per person
plus airfares.
(non-photographic spouses will also enjoy this exploration of the Philippine Capital)
The Great Filipino Easter Photo Tour
is limited to 10 people so to avoid disappointment
Book your place Now.
For more information and booking details contact Henry Bateman at bateman(dot)henry(at)gmail(dot)com.
Dollars & Demigods
The Milwaukee Magazine has an interesting insiders article about the legends in their own lunch box of talk radio, the right wing rabble rouses, the conservative talk show/TV magazine hosts.
In the post "The O'Reilly Fracture" I bitched about the questionable journalism standards of the program. Silly me, thinking it was about attempting rational comment on the affairs of the day.
Dan Shelley in his piece "Secrets of Talk Radio" points out the error of my ways "In the constant push for ratings, I had seen and helped foster the transformation of AM radio and the rise of conservative hosts." (emphasis mine). And we all know that in media land ratings = dollars.
As the "Sage of Baltimore", Henry Louis Mencken said "Nobody ever went broke underestimating the intelligence of the American public." In fairness to Americans this quote should not be considered geographically exclusive.
In the post "The O'Reilly Fracture" I bitched about the questionable journalism standards of the program. Silly me, thinking it was about attempting rational comment on the affairs of the day.
Dan Shelley in his piece "Secrets of Talk Radio" points out the error of my ways "In the constant push for ratings, I had seen and helped foster the transformation of AM radio and the rise of conservative hosts." (emphasis mine). And we all know that in media land ratings = dollars.
As the "Sage of Baltimore", Henry Louis Mencken said "Nobody ever went broke underestimating the intelligence of the American public." In fairness to Americans this quote should not be considered geographically exclusive.
Friday, November 28, 2008
Detritus
noun. The remains of something that has been destroyed or broken up [syn: debris]
From a cliché ridden examination of the bush years in “The last Days of W” by artistic photo-journalist Alec Soth via Cindy Sherman’s latest self absorbed exploration of her many faces exhibition at Metro Pictures to Meredith Allen’s literal take in her latest exhibition “Trash” detritus gets a serious work out.
Soth
Sherman
Allen
Predictable, whimsical or conceptual, whatever your take, these images provoke a reaction, enjoy.
From a cliché ridden examination of the bush years in “The last Days of W” by artistic photo-journalist Alec Soth via Cindy Sherman’s latest self absorbed exploration of her many faces exhibition at Metro Pictures to Meredith Allen’s literal take in her latest exhibition “Trash” detritus gets a serious work out.
Soth
Sherman
AllenThursday, November 27, 2008
Shooting the Messenger
Australia is seriously contemplating heading off down the draconian road of internet filtering a la China, Nth Korea and Iran et al. Under the pretext of protecting children the Australian government is seriously looking at implementing a technological fix to an education problem.
Utilizing the “Ostrich response” for questionable and the down right nasty internet sites is just plain dumb. It won’t make them go away but rather elevates them into the realm of forbidden fruits. And the internet savvy (read kids) will have little trouble circumnavigating the bureaucratically imposed restrictions. In fact to have done so and showing your mates will become a badge of school ground merit.
It’s like banning dictionaries because kids may look up the rude words.
Utilizing the “Ostrich response” for questionable and the down right nasty internet sites is just plain dumb. It won’t make them go away but rather elevates them into the realm of forbidden fruits. And the internet savvy (read kids) will have little trouble circumnavigating the bureaucratically imposed restrictions. In fact to have done so and showing your mates will become a badge of school ground merit.
It’s like banning dictionaries because kids may look up the rude words.
Wednesday, November 26, 2008
New Work
-
Study in Brown #I 2008
Study in Brown # II
Archival inkjet on canvas 20" x 48"
Study in Brown #I 2008Archival inkjet on canvas 20" x 48"
Study in Brown # IIArchival inkjet on canvas 20" x 48"
Sunday, November 23, 2008
90 + 9 + 1 = Eureka
Photography blogs have been agog with recipes for success since Alec Soth did a piece about the subject on the Magnum Blog. Jorg Colberg, Mrs Dean and Noel Rodo-Vankeulen all jumped into the fray. Who said photography blogs are like an under 8 soccer match? Well here is my 2 bob’s worth (Baa Baa).
The tried and true recipes revealed in Soth’s research rightly received the big yawn it deserved and led to a guardian piece about the subject by Malcolm Caldwell “A gift or hard graft?” Which is basically promotional piece for his new book “Outliers: The Story Of Success” Which is just the long version of the old definition of success/genius – 90% perspiration, 9% luck and 1% inspiration.
But we all knew that, didn’t we?
The tried and true recipes revealed in Soth’s research rightly received the big yawn it deserved and led to a guardian piece about the subject by Malcolm Caldwell “A gift or hard graft?” Which is basically promotional piece for his new book “Outliers: The Story Of Success” Which is just the long version of the old definition of success/genius – 90% perspiration, 9% luck and 1% inspiration.
But we all knew that, didn’t we?
Friday, November 21, 2008
The O’Reilly Fracture
My ISP had an outage a couple of days ago and being an unapologetic news junkie I had cause to flick through the cable TV news programs in search of a hit. In so doing I chanced upon The O’Reilly Factor on Fox with Big Bill O’Reilly at the helm. Never having actually watched TORF, although having had heard rumors I stopped for a look see and I must say the rumors only have the half of it, this show is really desperate. For a news magazine type program its grasp of what is news, let alone any in depth examination, is incredibly tenuous.
Their lead story was about the comparison of coverage for two New York centric stories with racist overtones. Big Bill was bemoaning the fact that a driving under the influence (DUI) accident that caused the death of two innocent victims wasn’t getting the same level of coverage as a hate crime that led to the murder of an Hispanic American. I kid you not.
From Bill’s perspective that the driver in the DUI accident was an illegal immigrant from Afghanistan means it should be getting as much indignant outraged, if not more, news coverage as the seven teenagers who went out with the intention of giving grief to an Hispanic, any Hispanic, and were so successful in their quest that their randomly chosen victim died at their hands.
Not only does the spin stop at The O’Rielly factor but also rational thought. Should my ISP derail my news addiction again and I am forced back to cable TV I will not be stopping at TORF. I expect news programs, even of the magazine style, to at least have a nodding acquaintance with journalism 101.
Their lead story was about the comparison of coverage for two New York centric stories with racist overtones. Big Bill was bemoaning the fact that a driving under the influence (DUI) accident that caused the death of two innocent victims wasn’t getting the same level of coverage as a hate crime that led to the murder of an Hispanic American. I kid you not.
From Bill’s perspective that the driver in the DUI accident was an illegal immigrant from Afghanistan means it should be getting as much indignant outraged, if not more, news coverage as the seven teenagers who went out with the intention of giving grief to an Hispanic, any Hispanic, and were so successful in their quest that their randomly chosen victim died at their hands.
Not only does the spin stop at The O’Rielly factor but also rational thought. Should my ISP derail my news addiction again and I am forced back to cable TV I will not be stopping at TORF. I expect news programs, even of the magazine style, to at least have a nodding acquaintance with journalism 101.
Wednesday, November 19, 2008
oh Google you've done it again
From the American Civil War to Joe Frazier vs. Mohammed Ali, one of the worlds great photography archives is now on line. Google has teamed up with the no more Life Magazine to make Life's mainstay searchable with mouse clicks. You can see it here.
Thursday, November 13, 2008
Tuesday, November 11, 2008
Same Old, Same Old
The much heralded web magazine Wassenaar, well in the lunch box that is the "We Can’t Paint" blog has finally hit the net. What can one say? That it under scores the concept that there is a lot of boring stuff on the net is perhaps going a tad to far, but not too far. It's not as bad as this, but does come a very close second.
See for yourself here, just be warned the navigation is at the top bar only.
See for yourself here, just be warned the navigation is at the top bar only.
Yeah, Right
One Presidential election has ended and the opening shots of the next are ricocheting about the unsuspecting electorate, well here in the Philippines at least. Makati Mayor Jejomar Binay on the occasion of celebrating his 66th birthday, today announced his intention to run for president in 2010.
After 19 years at the helm of central business district city of the Philippine capital, Manila, he wants to bring his acumen to the whole country. Under the banner of "Makati ngayon, Pilipinas bukas [Today Makati, tomorrow, the Philippines]" he says he wants to be known for his "performance" and not his ambition.
In amongst the 2000 people who witnessed his declaration was a sign reading "Obama of the Philippines". OMG will it never end?
After 19 years at the helm of central business district city of the Philippine capital, Manila, he wants to bring his acumen to the whole country. Under the banner of "Makati ngayon, Pilipinas bukas [Today Makati, tomorrow, the Philippines]" he says he wants to be known for his "performance" and not his ambition.
In amongst the 2000 people who witnessed his declaration was a sign reading "Obama of the Philippines". OMG will it never end?
Monday, November 10, 2008
Sunday, November 09, 2008
USA Election Redux II
To test reality we must see it on the tight rope. When the verities become acrobats, we can judge them. Oscar Wilde - Picture of Dorian Grey
Friday, November 07, 2008
USA Election Redux I
"If you want to know what a dead man's relatives really think of him, a good rough test is the weight of his tombstone." - George Orwell - Keep the Aspidistra Flying
Wednesday, November 05, 2008
Congratulations USA
You bloody well did it and for what is worth I concur with your decision. A skinny black man with a funny name is to become the 44th resident of The White House. I had my doubts and you showed them to be unfounded.
It will be interesting to see if his actions match his rhetoric for after all is said and done Barack Obama is a politician. My cynicism awaits to be confounded again.
It will be interesting to see if his actions match his rhetoric for after all is said and done Barack Obama is a politician. My cynicism awaits to be confounded again.
Tuesday, November 04, 2008
How will you have your tedium? Rare or medium?
The Guardian newspaper has a slide show of 40 Michael Parr photographs from his photographic portrayal of ten British cities. I bailed after 20, they are just really boring.
Ok, maybe the Brits are boring, I can live with that but when photographing them is it really necessary to re-invent Aunt Edna’s 1960’s slide night of “My British Holiday”.
Yep, they are that bad, quintessentially objects in front of the lens that says little more than the camera was there often with questionable compositions.
Have a look for yourself here. No, I’m not nicking an example to post here, The Expat does have some standards
Ok, maybe the Brits are boring, I can live with that but when photographing them is it really necessary to re-invent Aunt Edna’s 1960’s slide night of “My British Holiday”.
Yep, they are that bad, quintessentially objects in front of the lens that says little more than the camera was there often with questionable compositions.
Have a look for yourself here. No, I’m not nicking an example to post here, The Expat does have some standards
Monday, November 03, 2008
The Race that Stops a Nation
Next Tuesday 4/11 or 11/4 depending what part of the world you live in sees a couple of races of national/international import.
The American’s are going to choose a president and the Aussies will stand with baited breath for 3 minutes around 3pm EST. The American race has been reported to death and if the pundits are anything to go by the result is known and historic.
In the land down under the horse race that stops the nation, The Melbourne Cup, the result is unknown until the Gee Gee’s pass the post. Although lots and lots of people, who barely known one end of a nag from the other, become instant experts and drop their hard earned at the Tote.
Throughout the wide brown land Fashions on the Field invade offices from Sydney to Perth, daily papers publish form guides that can be cut up for office sweeps and in Melbourne, the home of the race with a population of around 3 million, it is an official public holiday.
If Australia were to become a republic (bound to happen one day) and the leading contender for the Head of State was an Aborigine would it excite as much as the flashing silk?
The American’s are going to choose a president and the Aussies will stand with baited breath for 3 minutes around 3pm EST. The American race has been reported to death and if the pundits are anything to go by the result is known and historic.
In the land down under the horse race that stops the nation, The Melbourne Cup, the result is unknown until the Gee Gee’s pass the post. Although lots and lots of people, who barely known one end of a nag from the other, become instant experts and drop their hard earned at the Tote.
Throughout the wide brown land Fashions on the Field invade offices from Sydney to Perth, daily papers publish form guides that can be cut up for office sweeps and in Melbourne, the home of the race with a population of around 3 million, it is an official public holiday.
If Australia were to become a republic (bound to happen one day) and the leading contender for the Head of State was an Aborigine would it excite as much as the flashing silk?
Thursday, October 30, 2008
Tuesday, October 28, 2008
The Atheist Bus Campaign
Whilst the contenders for the leader of "the Free World" promote their alligence to their particular brand of the All Mighty and denigrate those who support a different brand accross the pond the whole question is up for grabs.
The godless move in mysterious ways: The Atheist Bus Campaign
According to The Guardian a fund raising campaign to advertise this quassi sacreligious message on the side of London buses raised nine times the amount required in 24 hours.
Update
Seems the Republican VP candidate in the American election has put the out come in God's hands "I'm going to know, at the end of the day, putting this in God's hands, that the right thing for America will be done," The Australian Broadcasting Corporation says. If the Brits are on to something here she is up the proverbial creek in a barbed wire canoe paddling with a pitch fork.
The godless move in mysterious ways: The Atheist Bus CampaignAccording to The Guardian a fund raising campaign to advertise this quassi sacreligious message on the side of London buses raised nine times the amount required in 24 hours.
Update
Seems the Republican VP candidate in the American election has put the out come in God's hands "I'm going to know, at the end of the day, putting this in God's hands, that the right thing for America will be done," The Australian Broadcasting Corporation says. If the Brits are on to something here she is up the proverbial creek in a barbed wire canoe paddling with a pitch fork.
Saturday, October 25, 2008
American Election
It's kinda unavoidable really, that big race for 11/4 even here in the Pearl of the Orient.
From a Tennessee front yard. Can't help but wonder if this shouldn't be filed in the "You don't have to be dumb, but it helps" category?
From a Tennessee front yard. Can't help but wonder if this shouldn't be filed in the "You don't have to be dumb, but it helps" category?
Thursday, October 23, 2008
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Wednesday, October 22, 2008
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Tuesday, October 21, 2008
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Sunday, October 19, 2008
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Saturday, October 18, 2008
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Friday, October 17, 2008
Gob Smacked
A few weeks ago there was an internet kerfuffle about Jill Greenberg's unflattering pics of Senator McCain taken for the Atlantic Monthly. Well she didn't stand a change compared to what the good senator can do all on his ownsome.
When I first saw it I thought it must be another manipulated shot, but it seems it is legit, I mean what was he thinking? The only thing I can think of that could be worse would be a shot of him sucking his thumb. It's a worry.
When I first saw it I thought it must be another manipulated shot, but it seems it is legit, I mean what was he thinking? The only thing I can think of that could be worse would be a shot of him sucking his thumb. It's a worry.
Thursday, October 16, 2008
New Series
“The Sign Says” is a new series I have started working on, the results of which will be shown here over the coming weeks and months. Apart from a lot of signs fitting within my preferred presentation format I am intrigued by the graphic/semantic relationship of the streets, the nouns that guide us in our daily meanderings. When they are deconstructed how do they inform the choices they offer?
Fast Food II
Fast Food IITuesday, October 14, 2008
Monday, October 13, 2008
Mark Velasquez - as dreams go by
Mark Velasquez received his BFA from Cornish College in Seattle in 2000. Since then he has been through Costa Rica, Panama, Mexico, and more than enough of the continental United States spreading his unique sense of humor and creative energy where needed. Today he can be found anywhere on the West Coast, camera in hand, mind reeling.
To see more of Marks work click here
To see more of Marks work click here